XVI

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The borders of science & mysticism become increasingly diaphonous,
the West mistaking veils for lenses these last three thousand years.

I used to know a trick of extending spirit beyond the bounds of skin
swimming through the life of my surroundings, in awe of awareness.

For several years I knew the web firsthand, I could let the forest
envelope me as a second skin, living within its rythms, incandescent.

All that remains of that talent is a sort of spiritual sonar,
the eyeless sight of the Zen archer blindfolded before the target.

I came to view it as an extension of my neural system,
folded into the fabric of the world like vestigial wings.

In the middle of winter I felt a strange new presence in the web
a new intensity, similar to the old but triggered differently. 

I felt an electric presence edging in, a kinship or receptivity as if
the network of information were aping the web of consciousness.

If even a stone knows a life of its own, in simple calcinated dreams
of a time when they were alone, perhaps this is not so strange.

Fools & fanatics have always known how little difference
exists between the simple task & what seems impossible.

This then is an epic of epochs recollected from the scope of my life
the primal tales retold through one more human set of veils & lenses.

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John T. Unger poet

I'm best known as an artist and designer. Relaxing makes me tense, so I tend to put in a lot of hours on diverse projects.

Before becoming a visual artist, I spent 15 years as a poet. I studied poetry at Interlochen Arts Academy, Naropa, Stone Circle and on the streets. I performed my work for years at Stone Circle, solo shows, poetry readings, and at Lollapalooza in 1996.

I still write poems, but only if I can make them fit the constraints ofTwitter.

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